mc-sound-design
jtydhr88
Synth and timbre design as an arrangement decision (音色设计) - deciding what a sound must be before touching a knob. The four-question intent checklist (percussive or pitch…
ResearchClaude Code
100GitHub
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Results · “bass”
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mc-counterpoint
jtydhr88
Counterpoint and voice writing (对位与声部写作) - writing a second line that is genuinely independent rather than a harmony part. The four complementarity axes that make two li…
ResearchClaude Code
100GitHub
mc-harmony
jtydhr88
Functional and colour harmony (和声：功能与色彩) - choosing chords for a melody and then upgrading them without over-cooking. The three functions and three cadence types, the me…
ResearchClaude Code
100GitHub
mc-rhythm-section
jtydhr88
Rhythm section arranging and MIDI programming (节奏组与打ち込み) - drums, bass and harmony instruments as one unit, and how to make programmed parts sound played. Includes a sty…
ResearchClaude Code
100GitHub
mc-style-citypop-rnb
jtydhr88
City pop and R&B as a style layer (都会流行与 R&B 风格层) - the sound built on borrowed jazz harmony, a pushed bass, and deliberate space. The harmonic vocabulary that defines i…
ResearchClaude Code
100GitHub
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